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Artist participation

This section provides questionnaires and guides to good practice for interviewing artists and/or their representatives. INCCA's aim is to collect information on working methods, the use of materials and techniques and their meaning, the artist's view on deterioration and conservation, etc. These questionnaires and guides may help to improve the approach for interviewing artists and collecting information by other means. 
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1 Student interview project: Future Artists and Future Conservators 271
2 GARDENER, P., BURNSTOCK, A. & VASCONCELES, A. The Influence of Access to the Artist on the Conservation of Allen Jones' Works from the 1960s, 2008 1506
3 MACEDO, R. Contemporary Art Challenges to Conservation, 2006 1642
4 ICN / SBMK, Scenario for Artists' Interviews, 1999 1729
5 Inside Installations: Research on Artist Participation, 2007 1422
6 INCCA Guide to Good Practice Artists Interviews, 2002 1929
7 KERSTEN-PAMPIGLIONE, N. Artist questionnaire format for works on paper, 2008 1580
8 HUYS, F. A Methodology for the Communication with Artists, 2000 1601
9 GAGNE, S. Artists’ Interviews: Art Conservation Program at Queen’s University, 2006 1727
10 WEYER, C. & HEYDENREICH, G. From Questionnaires to a Checklist for Dialogues, 1999 1406
11 SCHEIDEMANN, C. Men at Work: The Significance of the Material in the Collaboration Between Artist and Fabricator in the 1960s and 1970s, 1999 1372